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Thursday, July 10, 2014

Shooting an Elephant by George Orwell


George Orwell’s Shooting an Elephant: a Summary and Reflection

George Orwell was “disgusted by the inhumanity of colonial rule that he witnessed while stationed in Burma” (2835 Orwell). Using his writing to confess the inner conflict of an imperial police officer, he wrote an autobiographical essay titled Shooting an Elephant. He notes that the Burmese civilians were not allowed to own guns during his stay – a testament of British control over Burmese resources. Feeling “stuck between his hatred of the empire he served and his rage against the evil-spirited little beasts who tried to make his job impossible” he knew that “the sooner he chucked up the job and got out of it the better” (2844 Orwell). Orwell repressed his emotions because acting out as the only white man would have been foolish. If he betrayed his country, he risked treason. If he sided with the Burmese, he would never fit into their culture. Every white man’s life long struggle in the East was to not be laughed at, so the safest choice for a man like George was to live without action. However, when a sexually aggressive elephant gets loose Orwell is called to take action.
Orwell responds to the call, taking his rifle, “an old 44 Winchester and much too small to kill an elephant” (2845 Orwell) in hopes of frightening it with the noise. This elephant was not wild, but normally tame and broke loose due to sexual desire. This first action is just an exercise of authority in maintaining order; however, in seeing a dead native victim he requests an elephant rifle and five cartridges. This is when the Burmese become quite excited and an “immense crowd of two thousand” (2846 Orwell) follow him. They believe that the imperial police officer is going to shoot the elephant when, in actuality, he just wanted to defend himself from becoming another devilish corpse.
This is where Orwell’s insecurities get the best of him. He is “pushed to and fro by the will of these yellow faces behind” (2846 Orwell). He knows, along with the Burmese, that his duty is to act as a British official in killing the elephant. He develops a strategy: he would “walk within twenty-five yards to test his behavior” (2847 Orwell). If they elephant came at him, he would shoot. If not, he would reveal that the tame elephant no longer posed a threat. Yet, his insecurities with a gun get the best of him and he discards a strategy that would have allowed him to remain neutral.
He shoots the elephant five times with the elephant gun, but it does not die. He calls for a normal rifle to finish the job, but it does not die. He leaves to avoid the dying, gasping elephant and later learns that it took another half hour for it to die. The Burmese get the meat that they wanted and Orwell learns that he is legally right for shooting the elephant. He is thankful for this because he often wondered “whether any of the others grasped that I had done it solely to avoid looking like a fool” (2848 Orwell). This is how the colonizer became colonized.
I believe that George Orwell’s essay reflects what many of us go through today: the struggle to do what is morally right when an entire world sways us to conform. Orwell’s dilemma is no different than one that we might face with a job that goes against the very grain of our moral virtue. We face these challenges all of the time:
• A job offer presents to you over someone who is more qualified, experienced and has been working toward that same position for years. Is it right to take it over them?
• A co-worker is disciplined for an honest mistake, we want to stand up for them but fear that rocking the boat could jeopardize our own life-lines. Do we step away from the fire to keep ourselves from being scathed?
• We want to study literature and write, when everyone else advices us to go into education. Do we limit our passions in order to have a career?
The list goes on. Life gets harder. Some of us are born into situations that are not easy and we’re forced to navigate through the chaos and disorder. In result, we may make bad decisions. In my opinion, the life of an imperial policeman would have been quite difficult. I applaud Orwell for being brave enough to confess his inner dilemmas and questions about the situation he lived out. It reminds us that we all face these conflicts everyday. The great Ralph Waldo Emerson knew this to be true when declaring: “To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.”
Works Cited
Orwell, George. “Shooting an Elephant.” The Longman Anthology: British Literature. Third ed. Vol. 2c. N.p.: Pearson Longman, 2006. 2844-848. Print. The Twentieth Century.
*Blogger’s note:  This was a brief reflection that I wrote and edited during college.  It is by no means a 100% exact interpretation of Orwell or any of his writing.  I am not an Orwell scholar nor do I claim to be.  If anyone is looking to build off of this post, then please cite this blog in your paper and write away.  Please feel free to share what you write with me and what you discover about Orwell.

Monday, July 07, 2014

Meatless Men in Meatless Days


Jane Porter

 


Through various portrayals of women in her life, Sara Suleri, in Meatless Days, paints a complex image of the female in Pakistani society. Her interactions, although their resolutions are often unclear to the reader, tend to suggest a demeaning attitude towards men, further emphasizing the richness of the females she introduces. From scalding her brother's genitals and boldly refusing a marriage offer to Dr. Sadik's son to her straightforward and rash judgments of many of the men in her life, Suleri often marginalizes male roles, a tactic that further enriches her depiction of women. Suleri scatters descriptions of ephemeral relationships with various men throughout her text, a technique similar to Bruce Chatwin's collection of brief interactions with countless individuals in In Patagonia. Her unhesitant voicing of opinion when talking to Tom, a male acquaintance briefly discussed in the text, serves as an example of Suleri's attitude towards men:
"You do not have the backbone of a shrimp," I mourned, gazing up at the spread-sheet of that man mountain. "You have a head the size of a bowl of porridge and a brain the size of a pea." This was in a restaurant. I was surprised beyond measure when that big head bent back and wept, a quick summer shower of tears. By the time he left, all surfaces were absolutely dry. [p.38]
Why does Suleri interject such details about brief relationships with men throughout her text? How does this technique impact her overall voice?
Does Suleri's inclusion of such statements loaded with resentment place a distance between herself and the reader? Why might such a distance be significant to our overall conception of this text?
In her section on Mustakori, Suleri introduces Dale, stating in parentheses, "Dale: if you will stay now, within the privacy of parentheses, then I'll not again disturb the ways you are invisible between us" (p.46). Why does Suleri explicitly choose to address Dale and furthermore, why does she make reference to her stylistic use of parentheses in this passage? Is this a technique emulated throughout the text?

MEATLESS DAYS BY SARA SULERI


Meatless Days is a book that encompasses person memoir, the history of the development of Pakistan, and fermale position within Pakistani culture. Suleri jumps from the present to the past, from the United States to Pakistan, and from the privileged world of Yale in New Haven to the traditional realm of cultural traditions. Both the clash of modern and traditional cultures as well as the exile versus the homeland is addressed in her beautiful prose.The female Pakistani author, Sara Suleri addresses the ontological landscape of her narrative as the role of both a Pakistani female and an exile. Through Pakistani’s role as the "alien double" in relation to the West, Suleri sees herself as the American Pakistani also as the alien double of her own culture. Through her misunderstanding of some of her own cultural traditions, she sees herself as existing in between two cultures and two ideologies, neither one nor the other. Sara, through her stories of her father’s work for Pakistan and his political machinations, Suleri presents history within a human frame. She also illustrates her own imagining of what Pakistan is an means to the exile. Her "country" becomes a homeland that encompasses both the remote and archaic world of traditions with the contemporary, modern society of both the East and the West. Through religion and the cultural development of the Twentieth Century, Pakistan is presented as both jarring and formless within Suleri’s prose. The book is an intriguing look at life in Pakistan and in the American-Pakistani community that Suleri has known. A fascinating and haunting book.


In Meatless Days, post-colonialism is used, like the English language itself, self-consciously. Post-colonialism and English have become not just historical links to the canon, but tools used by the authors to communicate their unique, non-Western visions of life. Discussion of post-colonialism in these novels illustrates the confrontations of two worlds, Western and colonized, but this is conflict is not bemoaned or decried. In fact, post-colonial rhetoric, metaphors, and imagery have been appropriated in both, as has the very use of English. Meatless Days delivers a forceful image of a unique culture that has collided with Western tradition in no uncertain way. Works such as these can illustrate the effect the fermenting residue of colonial power will ultimately have on nations confronting the dual identities of indigenous and imposed culture. An apt analogy lies in the derivative of cricket played by the native populations of some Indonesian islands. Discouraged by British missionaries and early colonial outposts from pursuing their traditional form of mostly theatrical warfare and their pagan rituals, they coopted cricket, which the colonials were eager to disseminate. Transforming it, they play it as a multi-day ceremonial celebration in full traditional garb and with much of the showy feints and retreats characteristic of their original inter-tribal conflicts.Although Meatless Days is non-hronological, a significant amount of the text address the partition of the Indian subcontinent and the resulting confusion: "When in 1947 Mountbatten's scissors clipped at the map of India and handed over what Jinnah fastidiously called a moth-eaten Pakistan...those very people must have worked with speedy fidelity all through the crazy winter of 1946, realigning their spatial perspective with something of the maniacal neatness of a Mughal miniaturist" . The religious/ethnic conflict on the subcontinent has become a prototype irredentist dispute of the kind now manifesting itself in many ex-colonies: Ireland, the Middle East, India and Pakistan, etc. Neither of these novels is about post-colonialism. Theses authors do not stake claim to canonization by appealing to current historical and political sensibilities, but by presenting a unique synthesis of their literary predecessors and native cultures.
Meatless Days, colored by the effects of colonialism, provides a unique vision that is not explicitly post-colonial in nature. Meatless Days treats multiple themes (gender and sibling relations, political strife, religion, expatriatism, etc.), but above all it is a personal novel, a celebration and remembrance of her English mother. In communicating her personal vision, Suleri necessarily writes about colonialism, for she is a Pakistani. However, as a celebration of her mother, post-colonialism is conceptualized as a communicating tool and metaphor. She asks, "How can I bring them together in a room, that most reticent woman and that most demanding man?... Papa's powerful discourse would surround her night and day".
Meatless Days succeed as vessels for communicating a unique vision. It is evident that Suleri has become adept at utilizing her cultures' encounters with the West to their own ends. This cooptation of things Western, including English itself, provides an ironically effective method of forcing Westerners to reevaluate their beliefs in regard to the canon among other things. These are precisely the contemporary writers who can force open the canon. In an era where post-colonialism, the third world, and ethnicity are central concerns, the sensibilities that shape the canon may be ready to acceptMeatless Days. Certainly her vision, quality, resourcefulness, and groundbreaking topicality recommend them.

Boys Will Be Boys: A daughter’s elegy








MIRZA GHALIB IN YALE - Author Sara Suleri reads from her new book, Boys Will Be Boys: A daughter’s elegy

by Anjum Niaz
It’s an elegy, this time for her beloved Pip, “patriotic and preposterous” – the father Sara Suleri never let the reader of Meatless Days forget: his pedestrian English accent; his irascibility with his brood of six (“You tended to chide us before we were children”). The English professor at Yale gripped us with the cold-blooded murder of the fairest of all Ifat, her sister, (“she dies inside me daily”) and the hit and run death of her Welsh mother: Surraya Mair Suleri, daughter of John Amos Jones, by a rickshaw at Punjab University where she, like her daughter, taught English and was adored by her students.(“I think each of us died in some way the day they buried Mamma”).
Privy to the most intimate memories of the Suleri household embedded in the golden era of Lahore, “Oh, City of Lights, the grave-homes of our mother, sister and now our father”, Sara, robustly engaged us in the intrepid social fabric of the fabulous 60’s and 70’s woven around the changing seasons and her father’s blind devotion to ‘General Zulu’ Haq: “You were quite chummy with that maniacal general”.
A decade and two years later, there she is, in the dim-lit corridor of Yale, waddling along in her black patent flats burdened by the endlessly flowing kurta – a rich silk Wedgwood blue stripes – worn with a loosely fitted chooridar and a scarf carefully clutching her shoulders but girlishly pushed away. Her characteristic bob, parted in the middle, still drapes the sad, sad face.
Sara starts to read and opens the first chapter of her new book, Boys will be Boys: A daughter’s elegy, hot from the University of Chicago Press. It’s a title jokingly chosen by Z.A. Suleri (Z.A.S.) for his unwritten autobiography. The prominent political journalist turned editor died in 1999. He was 86.
Her voice cracks as she recites Ghalib, Iqbal and many more during the next one hour, narrating nuggets from randomly picked pages packed in a graveyard of memories. The 13 chapters, prefixed always by an Urdu couplet: “Pip who loved Ghalib with a passion typical to his nature” are enticingly crafted around her family with ZAS as the chief protagonist.
Deathlike silence prevails in the small room where Sara Suleri Goodyear, 50, celebrates the life and times of her father. “When Pip died, I moaned. I thought some remnant in me had been discarded.” As if to make amends for the fun she poked at him, cruelly taking the wind out of his pompous sails in Meatless Days, the daughter now wants to make her peace. “On Judgment Day, I will say to God, ‘Be merciful, for I have already been judged by my child,” ZAS would chide her.
But her rendition is inaudible, poorly constructed. She appears in pain, her face distorted, lips puckered, head bent, shoulders sagging, Sara halts often as she turns the pages and stumbles over sentences once too often. Her vocal chords suffer, whispering hoarsely while attempting to mouth words. A glass of water is pushed sympathetically towards her to salve her tortured delivery.
“Whatever continents may intrude to interrupt our narrative, the circle of life only seems to grow tighter and tighter,” she continues.
Is her inside weeping? her heart tearing? her soul grieving? None dare fidget. The crowd is mostly Indian.
On Indo-Pa war and liberation of Bangladesh in, Sara says philosophically: “ I watched you, Pip, during the bitter war of 1971. It take me much time to mention that war because of its colossal failures, its unutterable consumption of lives. I am not sorry Bangladesh is in place – it was a stupid idea, anyway , to have an east wing and a west wing of Pakistan, separated by a thousand-odd miles of enemy territory, like a bird without a body.
Sara well remembers how they had to be collecting funds for the cyclone victims to the erstwhile East Pakistan. Nuzzi, her sister, had a cook from Bengal who “told me that the last time he returned to Bangladesh there was another enormous upheavel in the Ganges. Uprooting villages, wreaking havoc where havoc should not have been wreaked. He said he and his family spent days clinging to some trees…I felt ashamed.”
Referring to some photographs of her father from his early days as editor for Dawn which someone had sent to her she says, “When I looked at the photographs of that young man – with a face disturbingly like my own – I knew that if I did not love him already, I would until God’s heavenly Muslim universe had descended and taken him from me for good.”
But she quickly sets the record straight: “A saddening thought. But you were, Pip, always exuberant about your editorials and your articles, even when you did them everyday.”
When all’s over, I walk away, self-contained, a trifle triumphant over the Yale-wallahs: I consider Sara’s discourse my intellectual property right solely as a Pakistani first and a Lahori second. I saw it happen. “She looks so dukhi (sad)” says the young Nandini as we walk out together. Her male companion, another Indian student, has specially come to hear Sara, but leaves disappointed. “Maybe she’s not well…it seems that she didn’t really want to be here.”
Read the book! That’s what I did and could not lay it down. “A Proust in Pakistan, to wander among her own several lives” now gives us a rare peep into the secret life of Pip - a man with human frailties, never mind his self-righteousness.
The aging and ailing Lion as Sara calls her father “adopts” Shahida in the hoary twilight of his life. The woman – crude to the core and scheming to the hilt according to Sara’s accounts, works in the advertising section of The Pakistan Times where ZAS is the big boss , she comes howling with a complaint of sexual harassment. Not only is the alleged abuser (innocent of the crime) summarily kicked out, but “Pip came home with his blushing daughter”, giving Sara and her siblings a “stepsister”!
Sara tantalizes the reader with the ambivalent relationship between the young woman and her father. We’re told how Shahida takes over the life and home of Pip, who badly needed a “companion” and allows this peroxide blonde with a generous bosom to ransack their home – throw “Mamma’s china” out, put up shining cheap curtains, get rid of the gold nib Parker and Mont Blanc that “Papa” loved to write with. She even accompanies him to New York during a UN session and stays grandly at the UN Plaza!
“After you had left, Pip, stepsister Shahida began pestering each of us for ‘por-torni’”, until they finally figured out what the Punjabi wench wanted was a power of attorney to keep ZAS’s Lahore house where she’s set up a Z.A Suleri Trust Foundation and ambitiously appointed herself the President!
Sara regales us with her tale of “Scorch & Soda” (Scotch) that ZAS enjoyed furtively and loved eating “meat sausages” – who cares if they had a bit of pork! “Get rid of the sausages !Hide the sausages!” bellowed ‘Pip’ to his kids when some “religious-looking visitors turned up” at the hospital in London where ZAS was admitted.
As for politics: there was “Bobby Shafto (Nawaz Sharif) fat and fair with his Model Town estates and innumerable mills of corruption”; while Benazir Bhutto “promsied some hope until she married her scoundrel.”
Sara abbreviates “Paki” for Pakistan and “Mozzies” for Muslims throughout the book. They make for an easy read, why quibble?
“Ifat wore rings, just as I do”. Sara can say that again: I have a hard time counting the number of glittering baubles covering all her 8 fingers as she tentatively turns the pages while reading from them.
“Yes Pip, he (Austin) is still my husband…you see me married, domesticated,” Sara addresses her father and recounts her marriage to a widower; a millionaire, a Goodyear (the tyre man); double in age with a daughter “older than I am…I leapfrogged to become a step- great grandmother”. Austin Goodyear owns a yacht called “Mermaid” and a farmhouse in Maine. “Sara make him a Muslim”, urges ZAS from afar.
Who won’t remember Abdul Ali Khan - “a feudal gentleman if ever there was one” as the Principal of Aitchison College. Well the tyrant expelled Shahid (Sara’s brother) for writing “libelious and obscene lyrics about his various teachers. Pip called him over the phone a bull and a pig” when he refused to take Shahid back.
And Zeno – Dawn’s most respected columnist: “would send poisoned darts at Pip and Pip would send them back at Zeno”.
“What was it about Pip’s relationship to friends?” asks the daughter who cannot “recall a single of his friendships that was not somehow trammeled by history.” Of his cousins “Uncle” Shamim and his younger brother Nasim the journalist who later became the UN Ambassador at New York, ‘Pip’ never saw eye to eye.
“Pip your handwriting still can wrench me as your Quran (that ZAS gave when Sara left for the US in 1976) has traveled with me – and will forever – from home to home.”
“Ifat-Tillat-Nuzhat-Sara”, ZAS would yell and each of his daughters would come running: “If possible we would still be running to his side today.”
Except Ifat and Nuzhat are dead and so is ‘Pip’.
“Good night, sweet Pip, flights of angels sing thee to thy rest! You will be back more times than you know. I was always obstinate,” thus ends a daughter's elegy, Boys will be Boys.

NOTE: This article was first published in Dawn, 23 Nov 2003. We have published it here on Jazbah.org with permission from the author.

© Jazbah.org 2008. (source:http://kazbar.org/)


What is the “male gaze”?

 

The Male GazeBefore talking about the male gaze, it is first important to introduce its parent concept: the gaze. According to Wikipedia the gaze is a concept used for “analysing visual culture… that deals with how an audience views the people presented.” The types of gaze are primarily categorized by who is doing the looking.
While the ideas behind the concept were present in earlier uses of the gaze, the introduction of the term “the male gaze” can be traced back to Laura Mulvey and her essay “Visual Pleasure and Narrative Cinema” which was published in 1975. In it, Mulvey states that in film women are typically the objects, rather than the possessors, of gaze because the control of the camera (and thus the gaze) comes from factors such as the as the assumption of heterosexual men as the default target audience for most film genres. While this was more true in the time it was written, when Hollywood protagonists were overwhelmingly male, the base concept of men as watchers and women as watched still applies today, despite the growing number of movies targeted toward women and that feature female protagonists.
Though it was introduced as part of film theory, the term can and is often applied to other kinds of media. It is often used in critiques of advertisements, television, and the fine arts. For instance, John Berger (1972) studied the European nude (both past and present) and found that the female model is often put on display directly to the spectator/painter or indirectly through a mirror, thus viewing herself as the painter views her.
For Berger these images record the inequality of gender relations and a sexualization of the female image that remains culturally central today. They reassure men of their sexual power and at the same moment deny any sexuality of women other than the male construction. They are evidence of gendered difference… because any effort to replace the woman in these images with a man violates ‘the assumptions of the likely viewer’ (Berger, 1972: 64). That is, it does not fit with expectations but transgresses them and so seems wrong.
[Wykes and Barrie Gunter (pp. 38-39)]
The male gaze in advertising is actually a fairly well-studied topic, and it — rather than film — is often what comes to mind when the term is invoked. This is because, more than just being an object of a gaze, the woman in the advertisement becomes what’s being bought and sold: “The message though was always the same: buy the product, get the girl; or buy the product to get to be like the girl so you can get your man” in other words, “‘Buy’ the image, ‘get’ the woman” (Wykes, p. 41). In this way, the male gaze enables women to be a commodity that helps the products to get sold (the “sex sells” adage that comes up whenever we talk about modern marketing). Even advertising aimed at women is not exempt: it engages in the mirror effect described above, wherein women are encouraged to view themselves as the photographer views the model, therefore buying the product in order to become more like the model advertising it.
If you look at the image at the top right of this post, you can see that the image being sold to men is that of an attractive woman (they are encouraged to look at her in the same way the men on the curb are) while the image being sold to women is that if they buy the product that they, too, can be the recipients of male attention. Thus the image being sold, for both men and women, quite literally becomes that of the male gaze.
As feminist popular culture critics emerge, so does the use of the term in regard to areas such as comic books and video games. Indeed, it is from one of those areas that we can find a clear example of the male gaze in action:
The male gaze in comics
The above image, which is a panel taken from the comic All Star Batman And Robin, the Boy Wonder juxtaposed with the script written by author Frank Miller (released in the director’s edition of the comic), illustrates the way that the male gaze works in a concrete way. When Miller says, “We can’t take our eyes off her” he is speaking directly of his presumably male audience, and the follow up (“Especially since she’s got one fine ass.”) says loud and clear that her sexualized portrayal is for the pleasure of the envisioned heterosexual male viewer. In essence, Viki Vale’s character is there to reassure the readership of their hetero-masculinity while simultaneously denying Vicki any agency of her own outside of that framework. She is the quintessential watched by male watchers: the writer/director (Frank), his artist, and the presumed male audience that buys the book.
As illustrated in the above examples, the term has applications outside of the framework that Mulvey initially imagined. Although it is most easily illustrated in places where creator intent is clear (or, in Frank Miller’s case, blatantly stated), creator intent is not actually a prerequisite for a creation to fall under the male gaze. Nor does the creator and/or the audience have to be male, nor does the subject of the gaze have to be unhappy with the result. In the end, the simplest way to describe the male gaze is to return it to its roots of the female model/actress/character being looked at by the the male looker.
And, well, if you’re still confused you can go read this Dinosaur Comic about it. It gives an overview of the subject in 6 panels, placing it in the humorous context of talking dinosaurs! And everyone knows things always make better sense when they’re put into context by talking dinosaurs.

Related Reading:

Introductory:

Clarifying Concepts:

  • Gender differences in seeing women:
    Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves.
    [Berger, John. (1972): Ways of Seeing, p. 42]
  • Layers of the male gaze:
    This article effectively, although unintentionally, reveals the layers and layers of perception that surround us. Bailey Rae sees objectification in images where women are blatently sexualised and speaks out against it. However she is apparently not aware that she can still be objectified and sexualised despite keeping her midriff covered. I think a certain blindness to aspects of the patriarchy can affect us all, purely because we are all products of it in one way or another.

  • How the male gaze interacts with sexual objectification:
    In Miller’s hands, photographer Vicki Vale becomes a gossip columnist “gadfly” who struts around her apartment in lacy lingerie and fluffy heels, sipping a martini, and dictating to herself while Gotham City gleams in the huge, uncurtained, picture windows behind her.
    [...]
    Frank wants you to drool over Vicki Vale. She’s hot! She knows what she’s got! She’s strutting around her own apartment – technically alone – but you, dear reader, you are allowed in to watch. She’s stripped down for *you*.
    (source: http://finallyfeminism101.wordpress.com/)

Friday, July 04, 2014

M.A ENGLISH FREE IN FAISALABAD







                                                             It is announced that Alnisa Welfare Society Faisalabad has decided that Masters in English would be offered to all  interested students  in Faisalabad and it would be free of cost.There would be no tuition Fee.It would be made possible to reserve a common venue accessible to all.

All interested students(Male and Female) should send their assent through email I.D mazinawaz@gmail.com or by sms on 03457812656.As classes would start soon , so please send your registration data soon so that a Venue could be decided.

Wednesday, July 02, 2014

"Hamlet": Feminist Approach and Gender Study


The title of the essay ‘Frailty, thy name is Hamlet: Hamlet and Women’ that applies theory of feminism in “A Handbook of Critical Approaches to Literature” by Wilfred L. Guerin et al demands detail discussion. The authors metamorphoses one of the famous dialogues by Hamlet which originally reads,

“Heaven and earth,
Must I remember? Why, she would hang on him
As if increase of appetite had grown
By what it fed on, and yet, within a month—
Let me not think on't—Frailty, thy name is woman!”

It is spoken in anger to Gertrude due to her hasty marriage.

By replacing women with Hamlet, it seems to me, the authors consider Hamlet’s inability to act as a feminine trait. Are the exponents of feminism themselves being anti feminist? For me, simply ‘Hamlet and Women’ title would be enough. It proves that to bring out someone’s fault, one has to relate him with feminine quality.
He is crushes under the burden of moral dilemma. Not only by means of title, Hamlet is psychologically castrated by his oedipal attitude and his act of letting loose his anger upon two father images, one is good and strong and another is bad and strong. Hamlet unnecessarily attacks on woman around him because he can’t act on his powerful uncle cum father Claudius. Another reason for the same hideous act can be due to her mother’s overhasty marriage and Ophelia’s support to his scheming father, unknowingly.

It is very strange that her mother can’t get married in two three months of her husband's death. After all, who is he to decide whom and when she should remarry? He is adult but still behaves like a kid. He still wants to have a control over his mother’s decision. Or his oedipal instinct forces him to behave like this? A kid can’t stand at the thought of his mother’s divided attention between father and himself.

We see the character of Gertrude through the eyes of Hamlet. But critic Carolyn Heilbrun sees her in wider perspective. She doesn’t find any fault in her as claimed by Hamlet. She shows motherly care in bad chamber scene and tries to console Hamlet. She is not of hypocrite lady of Elizabethan age. She knows she is lusty as inferred from her dialogues. In her speech during burial of Ophelia, she displays her maturity, intelligence, and control over emotions. She makes feel Hamlet comfortable in new court held by newly appointed king Claudius. I don’t have any information about how long a widow should remain unmarried to save herself from the social criticism, two months, or twelve? Again, how can it be termed as unfaithful, when husband is already dead? Had she been married later, would Hamlet be happy? Her love for Hamlet reaches at the summit when she in exaltation over her son’s bout winning performances in the duel. She drinks the poisonous glass of wine. We can’t comment on or prove her role in murdering King Hamlet, but it is evident that she adores her son. Comments Carolyn Heilbrun,

“If she is lustful, she is also intelligent, penetrating and gifted.”

Another reason for her hasty marriage can be political condition of Elizabethan time when widow queen has to either live at the risk of her life or marry new king. Of course, any sane human chooses life over so-called faithfulness. Mourning behind partner and remain unmarried to death sound silly to me.
It is very surprising that the ghost of King Hamlet too is unhappy with his wife’s marriage. He orders to take revenge on his uncle, but advises prince Hamlet to spare her as if she has committed a serious crime and he is showing forgiveness. He says,

“O Hamlet, what a falling-off was there…leave her to Heaven.”

In compare to Hamlet, he though seems soft on his wife. That is very rare case in the play, which is infested by anti feminist words such as whore, whoring, whoredome, harlot, cuckold, strumpet etc. Rosencrantz and Guildenstern compare earth and later fortune with whore, because they are ever changing. The sign of disrespect is seen again, when Laertes cautions Ophelia to stay away from Hamlet and in reply to this Ophelia refers to his escapades with women. That’s the reason why Polonius pays Reynaldo for spying over Hamlet to know whether he is whoring. Ophelia is far better than both his scheming father and his hypocrite brother.

In play within play, the characters compare the fortune with the strumpet. The actors’ feeling of pain is dramatised and fake, but Hamlet’s suffering is genuine. However it is like “whore” who unpacks emotion not action.

Hamlet loves Ophelia but again suppressed hatred and anger towards his uncle is projected on Ophelia. First, he requests her to pray for her well-being but later he starts abusing her, saying her to leave for nunnery, an Elizabethan slang for brothel house. Ophelia completely fails to understand the reason behind such offensive behaviour and prays,

“Heavenly powers, restore him!...O, what a noble mind is here o’erthrown.”    

She doesn’t know that she is used by her father to know whether the cause of his insanity is lovesickness. This sort of use of female characters is against the feminist point of view. Hamlet not only hates his mother but whole world, in general all female species as if they all have committed such a ‘crime’ done by her mother. Therefore, his anger on Ophelia can be out of his misogynist attitude. The real love surfaces when Hamlet sees her dead body in the grave and confesses how much he has loved her. It is too late and the damage has already been done. The war is waging between brother Laertes and lover Hamlet. If Laertes fails to avenge the death of his father by prince Hamlet, he considers it’s like having been born of whore. He speaks,

“That drop of blood that’s calm proclaims me bastard,
Cries cuckold to my father, brands the harlot
Even here between the chaste unsmirched brow
Of my true mother.”

Thus, Shakespeare’s use of offensive feminine words mouthed from his male characters show the playwright’s dirty mental makeup or the Elizabethan society’s that may have been using these words to show their anger and hatred to immorality. He could have used other neutral expletives to express the same emotion. Famous for his skilful usage of language, it wouldn’t have been difficult for him.

In the last duel scene, the swords are phallic symbols. The entire idea of duel is the product of Claudius who wants remove his one of the sons, (remember he refers Laertes as his own son in a scene) to have a complete command over kingdom as well as Gertrude. Hamlet kills Claudius only when he comes to know that he is poisoned. It’s too late to act. No one remains except Horatio to tell the ‘frail tale’ of Hamlet who himself thinks of his friend as ‘a bravely fought hero.’ And that is not the case. Later one more offence is committed by Shakespeare. He gives masculine end. Notice that the order in Denmark is restored by the male Fortinbras, the prince of Norway!

Reference

Guerin , Wilfred L, et al. A Handbook of Critical Approaches to Literature. 5th ed. Delhi: Oxford UP, 2006. 242-249. Print.

Tuesday, July 01, 2014

HISTORY AND THEORY OF FEMINISM



The term feminism can be used to describe a political, cultural or economic movement aimed at establishing equal rights and legal protection for women. Feminism involves political and sociological theories and philosophies concerned with issues of gender difference, as well as a movement that advocates gender equality for women and campaigns for women's rights and interests. Although the terms "feminism" and "feminist" did not gain widespread use until the 1970s, they were already being used in the public parlance much earlier; for instance, Katherine Hepburn speaks of the "feminist movement" in the 1942 film Woman of the Year.
According to Maggie Humm and Rebecca Walker, the history of feminism can be divided into three waves. The first feminist wave was in the nineteenth and early twentieth centuries, the second was in the 1960s and 1970s, and the third extends from the 1990s to the present. Feminist theory emerged from these feminist movements. It is manifest in a variety of disciplines such as feminist geography, feminist history and feminist literary criticism.
Feminism has altered predominant perspectives in a wide range of areas within Western society, ranging from culture to law. Feminist activists have campaigned for women's legal rights (rights of contract, property rights, voting rights); for women's right to bodily integrity and autonomy, for abortion rights, and for reproductive rights (including access to contraception and quality prenatal care); for protection of women and girls from domestic violence, sexual harassment and rape;for workplace rights, including maternity leave and equal pay; against misogyny; and against other forms of gender-specific discrimination against women.
During much of its history, most feminist movements and theories had leaders who were predominantly middle-class white women from Western Europe and North America. However, at least since Sojourner Truth's 1851 speech to American feminists, women of other races have proposed alternative feminisms. This trend accelerated in the 1960s with the Civil Rights movement in the United States and the collapse of European colonialism in Africa, the Caribbean, parts of Latin America and Southeast Asia. Since that time, women in former European colonies and the Third World have proposed "Post-colonial" and "Third World" feminisms. Some Postcolonial Feminists, such as Chandra Talpade Mohanty, are critical of Western feminism for being ethnocentric. Black feminists, such as Angela Davis and Alice Walker, share this view.
History
Simone de Beauvoir wrote that "the first time we see a woman take up her pen in defense of her sex" was Christine de Pizan who wrote Epitre au Dieu d'Amour (Epistle to the God of Love) in the 15th century. Heinrich Cornelius Agrippa and Modesta di Pozzo di Forzi worked in the 16th century. Marie Le Jars de Gournay, Anne Bradstreet and Francois Poullain de la Barre wrote during the 17th.
Feminists and scholars have divided the movement's history into three "waves". The first wave refers mainly to women's suffrage movements of the nineteenth and early twentieth centuries (mainly concerned with women's right to vote). The second wave refers to the ideas and actions associated with the women's liberation movement beginning in the 1960s (which campaigned for legal and social rights for women). The third wave refers to a continuation of, and a reaction to the perceived failures of, second-wave feminism, beginning in the 1990s.
First wave
First-wave feminism refers to an extended period of feminist activity during the nineteenth century and early twentieth century in the United Kingdom and the United States. Originally it focused on the promotion of equal contract and property rights for women and the opposition to chattel marriage and ownership of married women (and their children) by their husbands. However, by the end of the nineteenth century, activism focused primarily on gaining political power, particularly the right of women's suffrage. Yet, feminists such as Voltairine de Cleyre and Margaret Sanger were still active in campaigning for women's sexual, reproductive, and economic rights at this time. In 1854, Florence Nightingale established female nurses as adjuncts to the military.
In Britain the Suffragettes and, possibly more effectively, the Suffragists campaigned for the women's vote. In 1918 the Representation of the People Act 1918 was passed granting the vote to women over the age of 30 who owned houses. In 1928 this was extended to all women over twenty-one. In the United States, leaders of this movement included Lucretia Mott, Lucy Stone, Elizabeth Cady Stanton, and Susan B. Anthony, who each campaigned for the abolition of slavery prior to championing women's right to vote; all were strongly influenced by Quaker thought. American first-wave feminism involved a wide range of women. Some, such as Frances Willard, belonged to conservative Christian groups such as the Woman's Christian Temperance Union. Others, such as Matilda Joslyn Gage, were more radical, and expressed themselves within the National Woman Suffrage Association or individually. American first-wave feminism is considered to have ended with the passage of the Nineteenth Amendment to the United States Constitution (1919), granting women the right to vote in all states.
The term first wave was coined retrospectively after the term second-wave feminism began to be used to describe a newer feminist movement that focused as much on fighting social and cultural inequalities as political inequalities.
Second wave
Second-wave feminism refers to the period of activity in the early 1960s and lasting through the late 1980s. The scholar Imelda Whelehan suggests that the second wave was a continuation of the earlier phase of feminism involving the suffragettes in the UK and USA. Second-wave feminism has continued to exist since that time and coexists with what is termed third-wave feminism. The scholar Estelle Freedman compares first and second-wave feminism saying that the first wave focused on rights such as suffrage, whereas the second wave was largely concerned with other issues of equality, such as ending discrimination.
The feminist activist and author Carol Hanisch coined the slogan "The Personal is Political" which became synonymous with the second wave. Second-wave feminists saw women's cultural and political inequalities as inextricably linked and encouraged women to understand aspects of their personal lives as deeply politicized and as reflecting sexist power structures.
Simone de Beauvoir and The Second Sex
The French author and philosopher Simone de Beauvoir wrote novels; monographs on philosophy, politics, and social issues; essays; biographies; and an autobiography. She is now best known for her metaphysical novels, including She Came to Stay and The Mandarins, and for her treatise The Second Sex, a detailed analysis of women's oppression and a foundational tract of contemporary feminism. Written in 1949, its English translation was published in 1953. It sets out a feminist existentialism which prescribes a moral revolution. As an existentialist, she accepted Jean-Paul Sartre's precept existence precedes essence; hence "one is not born a woman, but becomes one." Her analysis focuses on the social construction of Woman as the Other. This de Beauvoir identifies as fundamental to women's oppression. She argues women have historically been considered deviant and abnormal and contends that even Mary Wollstonecraft considered men to be the ideal toward which women should aspire. De Beauvoir argues that for feminism to move forward, this attitude must be set aside.
The Feminine Mystique
Betty Friedan's The Feminine Mystique (1963) criticized the idea that women could only find fulfillment through childrearing and homemaking. According to Friedan's obituary in the The New York Times, The Feminine Mystique “ignited the contemporary women's movement in 1963 and as a result permanently transformed the social fabric of the United States and countries around the world” and “is widely regarded as one of the most influential nonfiction books of the 20th century.” In the book Friedan hypothesizes that women are victims of a false belief system that requires them to find identity and meaning in their lives through their husbands and children. Such a system causes women to completely lose their identity in that of their family. Friedan specifically locates this system among post-World War II middle-class suburban communities. At the same time, America's post-war economic boom had led to the development of new technologies that were supposed to make household work less difficult, but that often had the result of making women's work less meaningful and valuable.
Women's Liberation in the USA
The phrase "Women’s Liberation" was first used in the United States in 1964 and first appeared in print in 1966. By 1968, although the term Women’s Liberation Front appeared in the magazine Ramparts, it was starting to refer to the whole women’s movement. Bra-burning also became associated with the movement, though the actual prevalence of bra-burning is debatable. One of the most vocal critics of the women's liberation movement has been the African American feminist and intellectual Gloria Jean Watkins (who uses the pseudonym "bell hooks") who argues that this movement glossed over race and class and thus failed to address "the issues that divided women." She highlighted the lack of minority voices in the women's movement in her book Feminist theory from margin to center (1984).
Third wave
Third-wave feminism began in the early 1990s, arising as a response to perceived failures of the second wave and also as a response to the backlash against initiatives and movements created by the second wave. Third-wave feminism seeks to challenge or avoid what it deems the second wave's essentialist definitions of femininity, which (according to them) over-emphasize the experiences of upper middle-class white women.
A post-structuralist interpretation of gender and sexuality is central to much of the third wave's ideology. Third-wave feminists often focus on "micro-politics" and challenge the second wave's paradigm as to what is, or is not, good for females. The third wave has its origins in the mid-1980s. Feminist leaders rooted in the second wave like Gloria Anzaldua, bell hooks, Chela Sandoval, Cherrie Moraga, Audre Lorde, Maxine Hong Kingston, and many other black feminists, sought to negotiate a space within feminist thought for consideration of race-related subjectivities.
Third-wave feminism also contains internal debates between difference feminists such as the psychologist Carol Gilligan (who believes that there are important differences between the sexes) and those who believe that there are no inherent differences between the sexes and contend that gender roles are due to social conditioning.
Post-feminism
Post-feminism describes a range of viewpoints reacting to feminism. While not being "anti-feminist," post-feminists believe that women have achieved second wave goals while being critical of third wave feminist goals. The term was first used in the 1980s to describe a backlash against second-wave feminism. It is now a label for a wide range of theories that take critical approaches to previous feminist discourses and includes challenges to the second wave's ideas. Other post-feminists say that feminism is no longer relevant to today's society. Amelia Jones wrote that the post-feminist texts which emerged in the 1980s and 1990s portrayed second-wave feminism as a monolithic entity and criticized it using generalizations.
One of the earliest uses of the term was in Susan Bolotin's 1982 article "Voices of the Post-Feminist Generation," published in New York Times Magazine. This article was based on a number of interviews with women who largely agreed with the goals of feminism, but did not identify as feminists.
Some contemporary feminists, such as Katha Pollitt or Nadine Strossen, consider feminism to hold simply that "women are people". Views that separate the sexes rather than unite them are considered by these writers to be sexist rather than feminist'.'
In her book Backlash: The Undeclared War Against American Women, Susan Faludi argues that a backlash against second wave feminism in the 1980s has successfully re-defined feminism through its terms. She argues that it constructed the women's liberation movement as the source of many of the problems alleged to be plaguing women in the late 1980s. She also argues that many of these problems are illusory, constructed by the media without reliable evidence. According to her, this type of backlash is a historical trend, recurring when it appears that women have made substantial gains in their efforts to obtain equal rights.
Angela McRobbie argues that adding the prefix post to feminism undermines the strides that feminism has made in achieving equality for everyone, including women. Post-feminism gives the impression that equality has been achieved and that feminists can now focus on something else entirely. McRobbie believes that post-feminism is most clearly seen on so-called feminist media products, such as Bridget Jones's Diary, Sex and the City, and Ally McBeal. Female characters like Bridget Jones and Carrie Bradshaw claim to be liberated and clearly enjoy their sexuality, but what they are constantly searching for is the one man who will make everything worthwhile.
French feminism
French feminism refers to a branch of feminist thought from a group of feminists in France from the 1970s to the 1990s. French feminism, compared to Anglophone feminism, is distinguished by an approach which is more philosophical and literary. Its writings tend to be effusive and metaphorical, being less concerned with political doctrine and generally focused on theories of "the body." The term includes writers who are not French, but who have worked substantially in France and the French tradition such as Julia Kristeva and Bracha Ettinger.
In the 1970s French feminists approached feminism with the concept of ecriture feminine, which translates as female, or feminine writing. Helene Cixous argues that writing and philosophy are phallocentric and along with other French feminists such as Luce Irigaray emphasizes "writing from the body" as a subversive exercise. The work of the feminist psychoanalyst and philosopher, Julia Kristeva, has influenced feminist theory in general and feminist literary criticism in particular. From the 1980s onwards the work of artist and psychoanalyst Bracha Ettinger has influenced literary criticism, art history and film theory. However, as the scholar Elizabeth Wright pointed out, "none of these French feminists align themselves with the feminist movement as it appeared in the Anglophone world.
Theoretical schools
Feminist theory is an extension of feminism into theoretical or philosophical fields. It encompasses work in a variety of disciplines, including anthropology, sociology, economics, women's studies, literary criticism, art history, psychoanalysis and philosophy. Feminist theory aims to understand gender inequality and focuses on gender politics, power relations and sexuality. While providing a critique of these social and political relations, much of feminist theory focuses on the promotion of women's rights and interests. Themes explored in feminist theory include discrimination, stereotyping, objectification (especially sexual objectification), oppression and patriarchy.
The American literary critic and feminist Elaine Showalter describes the phased development of feminist theory. The first she calls "feminist critique," in which the feminist reader examines the ideologies behind literary phenomena. The second Showalter calls "gynocriticism," in which the "woman is producer of textual meaning" including "the psychodynamics of female creativity; linguistics and the problem of a female language; the trajectory of the individual or collective female literary career and literary history." The last phase she calls "gender theory," in which the "ideological inscription and the literary effects of the sex/gender system" are explored. The scholar Toril Moi criticized this model, seeing it as an essentialist and deterministic model for female subjectivity that fails to account for the situation of women outside the West.
Movements and ideologies
Several submovements of feminist ideology have developed over the years; some of the major subtypes are listed below. These movements often overlap, and some feminists identify themselves with several types of feminist thought.
Anarcha
Anarcha-feminism (also called anarchist feminism and anarcho-feminism) combines anarchism with feminism. It generally views patriarchy as a manifestation of involuntary hierarchy. Anarcha-feminists believe that the struggle against patriarchy is an essential part of class struggle, and the anarchist struggle against the State. In essence, the philosophy sees anarchist struggle as a necessary component of feminist struggle and vice-versa. As L. Susan Brown puts it, "as anarchism is a political philosophy that opposes all relationships of power, it is inherently feminist".
Important historic anarcha-feminists include Emma Goldman, Federica Montseny, Voltairine de Cleyre and Lucy Parsons. In the Spanish Civil War, an anarcha-feminist group, Mujeres Libres ("Free Women") linked to the Federacion Anarquista Iberica, organized to defend both anarchist and feminist ideas.
Contemporary anarcha-feminist writers/theorists include Germaine Greer, L. Susan Brown and the eco-feminist Starhawk. Contemporary anarcha-feminist groups include Bolivia's Mujeres Creando, Radical Cheerleaders, the Spanish anarcha-feminist squat La Eskalera Karakola, and the annual La Rivolta! conference in Boston.
Socialist and Marxist
Socialist feminism connects the oppression of women to Marxist ideas about exploitation, oppression and labor. Socialist feminists think unequal standing in both the workplace and the domestic sphere holds women down.[59] Socialist feminists see prostitution, domestic work, childcare and marriage as ways in which women are exploited by a patriarchal system that devalues women and the substantial work they do. Socialist feminists focus their energies on broad change that affects society as a whole, rather than on an individual basis. They see the need to work alongside not just men, but all other groups, as they see the oppression of women as a part of a larger pattern that affects everyone involved in the capitalist system.
Marx felt when class oppression was overcome, gender oppression would vanish as well. According to some socialist feminists, this view of gender oppression as a sub-class of class oppression is naive and much of the work of socialist feminists has gone towards separating gender phenomena from class phenomena. Some contributors to socialist feminism have criticized these traditional Marxist ideas for being largely silent on gender oppression except to subsume it underneath broader class oppression. Other socialist feminists, many of whom belong to Radical Women and the Freedom Socialist Party, two long-lived American organizations, point to the classic Marxist writings of Frederick Engels and August Bebel as a powerful explanation of the link between gender oppression and class exploitation.
In the late nineteenth century and early twentieth century both Clara Zetkin and Eleanor Marx were against the demonization of men and supported a proletarian revolution that would overcome as many male-female inequalities as possible. As their movement already had the most radical demands of women's equality, most Marxist leaders, including Clara Zetkin and Alexandra Kollontai, counterposed Marxism against feminism, rather than trying to combine them.
Radical
Radical feminism considers the male controlled capitalist hierarchy, which it describes as sexist, as the defining feature of women’s oppression. Radical feminists believe that women can free themselves only when they have done away with what they consider an inherently oppressive and dominating patriarchal system. Radical feminists feel that there is a male-based authority and power structure and that it is responsible for oppression and inequality, and that as long as the system and its values are in place, society will not be able to be reformed in any significant way. Some radical feminists see no alternatives other than the total uprooting and reconstruction of society in order to achieve their goals.
Over time a number of sub-types of Radical feminism have emerged, such as Cultural feminism, Separatist feminism and Anti-pornography feminism. Cultural feminism is the ideology of a "female nature" or "female essence" that attempts to revalidate what they consider undervalued female attributes. It emphasizes the difference between women and men but considers that difference to be psychological, and to be culturally constructed rather than biologically innate. Its critics assert that because it is based on an essentialist view of the differences between women and men and advocates independence and institution building, it has led feminists to retreat from politics to “life-style” Once such critic, Alice Echols (a feminist historian and cultural theorist), credits Redstockings member Brooke Williams with introducing the term cultural feminism in 1975 to describe the depoliticisation of radical feminism.
Separatist feminism is a form of radical feminism that does not support heterosexual relationships. Its proponents argue that the sexual disparities between men and women are unresolvable. Separatist feminists generally do not feel that men can make positive contributions to the feminist movement and that even well-intentioned men replicate patriarchal dynamics. Author Marilyn Frye describes separatist feminism as "separation of various sorts or modes from men and from institutions, relationships, roles and activities that are male-defined, male-dominated, and operating for the benefit of males and the maintenance of male privilege – this separation being initiated or maintained, at will, by women".
Liberal
Liberal feminism asserts the equality of men and women through political and legal reform. It is an individualistic form of feminism, which focuses on women’s ability to show and maintain their equality through their own actions and choices. Liberal feminism uses the personal interactions between men and women as the place from which to transform society. According to liberal feminists, all women are capable of asserting their ability to achieve equality, therefore it is possible for change to happen without altering the structure of society. Issues important to liberal feminists include reproductive and abortion rights, sexual harassment, voting, education, "equal pay for equal work", affordable childcare, affordable health care, and bringing to light the frequency of sexual and domestic violence against women.
Black
Black feminism argues that sexism, class oppression, and racism are inextricably bound together. Forms of feminism that strive to overcome sexism and class oppression but ignore race can discriminate against many people, including women, through racial bias. The Combahee River Collective argued in 1974 that the liberation of black women entails freedom for all people, since it would require the end of racism, sexism, and class oppression. One of the theories that evolved out of this movement was Alice Walker's Womanism. It emerged after the early feminist movements that were led specifically by white women who advocated social changes such as woman’s suffrage. These movements were largely white middle-class movements and had generally ignored oppression based on racism and classism. Alice Walker and other Womanists pointed out that black women experienced a different and more intense kind of oppression from that of white women.
Angela Davis was one of the first people who articulated an argument centered around the intersection of race, gender, and class in her book, Women, Race, and Class. Kimberle Crenshaw, a prominent feminist law theorist, gave the idea the name Intersectionality while discussing identity politics in her essay, "Mapping the Margins: Intersectionality, Identity Politics and Violence Against Women of Color".
Postcolonial and third-world
Postcolonial feminists argue that oppression relating to the colonial experience, particularly racial, class, and ethnic oppression, has marginalized women in postcolonial societies. They challenge the assumption that gender oppression is the primary force of patriarchy. Postcolonial feminists object to portrayals of women of non-Western societies as passive and voiceless victims and the portrayal of Western women as modern, educated and empowered.
Postcolonial feminism emerged from the gendered history of colonialism: colonial powers often imposed Western norms on colonized regions. In the 1940s and 1950s, after the formation of the United Nations, former colonies were monitored by the West for what was considered "social progress". The status of women in the developing world has been monitored by organizations such as the United Nations and as a result traditional practices and roles taken up by women—sometimes seen as distasteful by Western standards—could be considered a form of rebellion against colonial oppression. Postcolonial feminists today struggle to fight gender oppression within their own cultural models of society rather than through those imposed by the Western colonizers.
Postcolonial feminism is critical of Western forms of feminism, notably radical feminism and liberal feminism and their universalization of female experience. Postcolonial feminists argue that cultures impacted by colonialism are often vastly different and should be treated as such. Colonial oppression may result in the glorification of pre-colonial culture, which, in cultures with traditions of power stratification along gender lines, could mean the acceptance of, or refusal to deal with, inherent issues of gender inequality. Postcolonial feminists can be described as feminists who have reacted against both universalizing tendencies in Western feminist thought and a lack of attention to gender issues in mainstream postcolonial thought.
Third-world feminism has been described as a group of feminist theories developed by feminists who acquired their views and took part in feminist politics in so-called third-world countries. Although women from the third world have been engaged in the feminist movement, Chandra Talpade Mohanty and Sarojini Sahoo criticize Western feminism on the grounds that it is ethnocentric and does not take into account the unique experiences of women from third-world countries or the existence of feminisms indigenous to third-world countries. According to Chandra Talpade Mohanty, women in the third world feel that Western feminism bases its understanding of women on "internal racism, classism and homophobia". This discourse is strongly related to African feminism and postcolonial feminism. Its development is also associated with concepts such as black feminism, womanism, "Africana womanism", "motherism", "Stiwanism", "negofeminism", chicana feminism, and "femalism".
Multiracial
Multiracial feminism (also known as “women of color” feminism) offers a standpoint theory and analysis of the lives and experiences of women of color. The theory emerged in the 1990s and was developed by Dr. Maxine Baca Zinn, a Chicana feminist and Dr. Bonnie Thornton Dill, a sociology expert on African American women and family.
Libertarian
According to the Stanford Encyclopedia of Philosophy, "Classical liberal or libertarian feminism conceives of freedom as freedom from coercive interference. It holds that women, as well as men, have a right to such freedom due to their status as self-owners."
There are several categories under the theory of libertarian feminism, or kinds of feminism that are linked to libertarian ideologies. Anarcha-feminism (also called anarchist feminism or anarcho-feminism) combines feminist and anarchist beliefs, embodying classical libertarianism rather than contemporary conservative libertarianism. Anarcha-feminists view patriarchy as a manifestation of hierarchy, believing that the fight against patriarchy is an essential part of the class struggle and the anarchist struggle against the state. Anarcha-feminists such as Susan Brown see the anarchist struggle as a necessary component of the feminist struggle. In Brown's words, "anarchism is a political philosophy that opposes all relationships of power, it is inherently feminist". Recently, Wendy McElroy has defined a position (which she labels "ifeminism" or "individualist feminism") that combines feminism with anarcho-capitalism or contemporary conservative libertarianism, arguing that a pro-capitalist, anti-state position is compatible with an emphasis on equal rights and empowerment for women. Individualist anarchist-feminism has grown from the US-based individualist anarchism movement.
Individualist feminism is typically defined as a feminism in opposition to what writers such as Wendy McElroy and Christina Hoff Sommers term, political or gender feminism. However, there are some differences within the discussion of individualist feminism. While some individualist feminists like McElroy oppose government interference into the choices women make with their bodies because such interference creates a coercive hierarchy (such as patriarchy), other feminists such as Christina Hoff Sommers hold that feminism's political role is simply to ensure that everyone's, including women's, right against coercive interference is respected. Sommers is described as a "socially conservative equity feminist" by the Stanford Encyclopedia of Philosophy. Critics have called her an anti-feminist.
Standpoint
Since the 1980s, standpoint feminists have argued that feminism should examine how women's experience of inequality relates to that of racism, homophobia, classism and colonization. In the late 1980s and 1990s postmodern feminists argued that gender roles are socially constructed, and that it is impossible to generalize women's experiences across cultures and histories.
Post-structural and postmodern
Post-structural feminism, also referred to as French feminism, uses the insights of various epistemological movements, including psychoanalysis, linguistics, political theory (Marxist and post-Marxist theory), race theory, literary theory, and other intellectual currents for feminist concerns. Many post-structural feminists maintain that difference is one of the most powerful tools that females possess in their struggle with patriarchal domination, and that to equate the feminist movement only with equality is to deny women a plethora of options because equality is still defined from the masculine or patriarchal perspective.
Postmodern feminism is an approach to feminist theory that incorporates postmodern and post-structuralist theory. The largest departure from other branches of feminism is the argument that gender is constructed through language. The most notable proponent of this argument is Judith Butler. In her 1990 book, Gender Trouble, she draws on and critiques the work of Simone de Beauvoir, Michel Foucault and Jacques Lacan. Butler criticizes the distinction drawn by previous feminisms between biological sex and socially constructed gender. She says that this does not allow for a sufficient criticism of essentialism. For Butler "woman" is a debatable category, complicated by class, ethnicity, sexuality, and other facets of identity. She states that gender is performative. This argument leads to the conclusion that there is no single cause for women's subordination and no single approach towards dealing with the issue.
In A Cyborg Manifesto Donna Haraway criticizes traditional notions of feminism, particularly its emphasis on identity, rather than affinity. She uses the metaphor of a cyborg in order to construct a postmodern feminism that moves beyond dualisms and the limitations of traditional gender, feminism, and politics. Haraway's cyborg is an attempt to break away from Oedipal narratives and Christian origin-myths like Genesis. She writes: "The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust."
A major branch in postmodern feminist thought has emerged from the contemporary psychoanalytic French feminism. Other postmodern feminist works highlight stereotypical gender roles, only to portray them as parodies of the original beliefs. The history of feminism is not important in these writings - only what is going to be done about it. The history is dismissed and used to depict how ridiculous past beliefs were. Modern feminist theory has been extensively criticized as being predominantly, though not exclusively, associated with Western middle class academia. Mary Joe Frug, a postmodernist feminist, criticized mainstream feminism as being too narrowly focused and inattentive to related issues of race and class.
Environmental
Ecofeminism links ecology with feminism. Ecofeminists see the domination of women as stemming from the same ideologies that bring about the domination of the environment. Patriarchal systems, where men own and control the land, are seen as responsible for the oppression of women and destruction of the natural environment. Ecofeminists argue that the men in power control the land, and therefore they are able to exploit it for their own profit and success. Ecofeminists argue that in this situation, women are exploited by men in power for their own profit, success, and pleasure. Ecofeminists argue that women and the environment are both exploited as passive pawns in the race to domination. Ecofeminists argue that those people in power are able to take advantage of them distinctly because they are seen as passive and rather helpless. Ecofeminism connects the exploitation and domination of women with that of the environment. As a way of repairing social and ecological injustices, ecofeminists feel that women must work towards creating a healthy environment and ending the destruction of the lands that most women rely on to provide for their families.
Ecofeminism argues that there is a connection between women and nature that comes from their shared history of oppression by a patriarchal Western society. Vandana Shiva claims that women have a special connection to the environment through their daily interactions with it that has been ignored. She says that "women in subsistence economies, producing and reproducing wealth in partnership with nature, have been experts in their own right of holistic and ecological knowledge of nature’s processes. But these alternative modes of knowing, which are oriented to the social benefits and sustenance needs are not recognized by the capitalist reductionist paradigm, because it fails to perceive the interconnectedness of nature, or the connection of women’s lives, work and knowledge with the creation of wealth.”
However, feminist and social ecologist Janet Biehl has criticized ecofeminism for focusing too much on a mystical connection between women and nature and not enough on the actual conditions of women.
Society
The feminist movement has effected change in Western society, including women's suffrage; greater access to education; more nearly equitable pay with men; the right to initiate divorce proceedings and "no fault" divorce; and the right of women to make individual decisions regarding pregnancy (including access to contraceptives and abortion); as well as the right to own property.
Civil rights
From the 1960s on the women's liberation movement campaigned for women's rights, including the same pay as men, equal rights in law, and the freedom to plan their families. Their efforts were met with mixed results. Issues commonly associated with notions of women's rights include, though are not limited to: the right to bodily integrity and autonomy; to vote (universal suffrage); to hold public office; to work; to fair wages or equal pay; to own property; to education; to serve in the military; to enter into legal contracts; and to have marital, parental and religious rights.
In the UK a public groundswell of opinion in favour of legal equality gained pace, partly through the extensive employment of women in men's traditional roles during both world wars. By the 1960s the legislative process was being readied, tracing through MP Willie Hamilton's select committee report, his Equal Pay for Equal Work Bill, the creation of a Sex Discrimination Board, Lady Sear's draft sex anti-discrimination bill, a government Green Paper of 1973, until 1975 when the first British Sex Discrimination Act, an Equal Pay Act, and an Equal Opportunities Commission came into force. With encouragement from the UK government, the other countries of the EEC soon followed suit with an agreement to ensure that discrimination laws would be phased out across the European Community.
In the USA, the US National Organization for Women (NOW) was created in 1966 with the purpose of bringing about equality for all women. NOW was one important group that fought for the Equal Rights Amendment (ERA). This amendment stated that “equality of rights under the law shall not be denied or abridged by the United States or any state on account of sex.” But there was disagreement on how the proposed amendment would be understood. Supporters believed it would guarantee women equal treatment. But critics feared it might deny women the right be financially supported by their husbands. The amendment died in 1982 because not enough states had ratified it. ERAs have been included in subsequent Congresses, but have still failed to be ratified.
In the final three decades of the 20th century, Western women knew a new freedom through birth control, which enabled women to plan their adult lives, often making way for both career and family. The movement had been started in the 1910s by US pioneering social reformer Margaret Sanger and in the UK and internationally by Marie Stopes.
The United Nations Human Development Report 2004 estimated that when both paid employment and unpaid household tasks are accounted for, on average women work more than men. In rural areas of selected developing countries women performed an average of 20% more work than men, or an additional 102 minutes per day. In the OECD countries surveyed, on average women performed 5% more work than men, or 20 minutes per day. At the UN's Pan Pacific Southeast Asia Women's Association 21st International Conference in 2001 it was stated that "in the world as a whole, women comprise 51% of the population, do 66% of the work, receive 10% of the income and own less than one percent of the property".
CEDAW
The Convention on the Elimination of All Forms of Discrimination Against Women (CEDAW) is an international convention adopted by the United Nations General Assembly. Described as an international bill of rights for women, it came into force on 3 September 1981. Several countries have ratified the Convention subject to certain declarations, reservations and objections. Iran, Sudan, Somalia, Qatar, Nauru, Palau, Tonga and the United States have not ratified CEDAW. Expecting a U.S. Senate vote, NOW has encouraged President Obama to remove U.S. reservations and objections added in 2002 before the vote.
Language
Gender-neutral language is a description of language usages which are aimed at minimizing assumptions regarding the biological sex of human referents. The advocacy of gender-neutral language reflects, at least, two different agendas: one aims to clarify the inclusion of both sexes or genders (gender-inclusive language); the other proposes that gender, as a category, is rarely worth marking in language (gender-neutral language). Gender-neutral language is sometimes described as non-sexist language by advocates and politically-correct language by opponents.
Heterosexual relationships
The increased entry of women into the workplace beginning in the twentieth century has affected gender roles and the division of labor within households. Sociologist Arlie Russell Hochschild in The Second Shift and The Time Bind presents evidence that in two-career couples, men and women, on average, spend about equal amounts of time working, but women still spend more time on housework. Feminist writer Cathy Young responds to Hochschild's assertions by arguing that in some cases, women may prevent the equal participation of men in housework and parenting.
Feminist criticisms of men's contributions to child care and domestic labor in the Western middle class are typically centered around the idea that it is unfair for women to be expected to perform more than half of a household's domestic work and child care when both members of the relationship also work outside the home. Several studies provide statistical evidence that the financial income of married men does not affect their rate of attending to household duties.
In Dubious Conceptions, Kristin Luker discusses the effect of feminism on teenage women's choices to bear children, both in and out of wedlock. She says that as childbearing out of wedlock has become more socially acceptable, young women, especially poor young women, while not bearing children at a higher rate than in the 1950s, now see less of a reason to get married before having a child. Her explanation for this is that the economic prospects for poor men are slim, hence poor women have a low chance of finding a husband who will be able to provide reliable financial support.
Although research suggests that to an extent, both women and men perceive feminism to be in conflict with romance, studies of undergraduates and older adults have shown that feminism has positive impacts on relationship health for women and sexual satisfaction for men, and found no support for negative stereotypes of feminists.
Religion
Feminist theology is a movement that reconsiders the traditions, practices, scriptures, and theologies of religions from a feminist perspective. Some of the goals of feminist theology include increasing the role of women among the clergy and religious authorities, reinterpreting male-dominated imagery and language about God, determining women's place in relation to career and motherhood, and studying images of women in the religion's sacred texts.
Christian feminism is a branch of feminist theology which seeks to interpret and understand Christianity in light of the equality of women and men. Because this equality has been historically ignored, Christian feminists believe their contributions are necessary for a complete understanding of Christianity. While there is no standard set of beliefs among Christian feminists, most agree that God does not discriminate on the basis of biologically-determined characteristics such as sex. Their major issues are the ordination of women, male dominance in Christian marriage, and claims of moral deficiency and inferiority of abilities of women compared to men. They also are concerned with the balance of parenting between mothers and fathers and the overall treatment of women in the church.
Islamic feminism is concerned with the role of women in Islam and aims for the full equality of all Muslims, regardless of gender, in public and private life. Islamic feminists advocate women's rights, gender equality, and social justice grounded in an Islamic framework. Although rooted in Islam, the movement's pioneers have also utilized secular and Western feminist discourses and recognize the role of Islamic feminism as part of an integrated global feminist movement. Advocates of the movement seek to highlight the deeply rooted teachings of equality in the Quran and encourage a questioning of the patriarchal interpretation of Islamic teaching through the Quran, hadith (sayings of Muhammad), and sharia (law) towards the creation of a more equal and just society.
Jewish feminism is a movement that seeks to improve the religious, legal, and social status of women within Judaism and to open up new opportunities for religious experience and leadership for Jewish women. Feminist movements, with varying approaches and successes, have opened up within all major branches of Judaism. In its modern form, the movement can be traced to the early 1970s in the United States. According to Judith Plaskow, who has focused on feminism in Reform Judaism, the main issues for early Jewish feminists in these movements were the exclusion from the all-male prayer group or minyan, the exemption from positive time-bound mitzvot, and women's inability to function as witnesses and to initiate divorce.
The Dianic Wicca or Wiccan feminism is a female focused, Goddess-centered Wiccan sect; also known as a feminist religion that teaches witchcraft as every woman’s right. It is also one sect of the many practiced in Wicca.
Theology
Feminist theology is a movement found in several religions to reconsider the traditions, practices, scriptures, and theologies of those religions from a feminist perspective. Some of the goals of feminist theology include increasing the role of women among the clergy and religious authorities, reinterpreting male-dominated imagery and language about God, determining women's place in relation to career and motherhood, and studying images of women in the religion's sacred texts. In Wicca "the Goddess" is a deity of prime importance, along with her consort the Horned God. In the earliest Wiccan publications she is described as a tribal goddess of the witch community, neither omnipotent nor universal, and it was recognised that there was a greater "Prime Mover", although the witches did not concern themselves much with this being.
Architecture
Gender-based inquiries into and conceptualization of architecture have also come about in the past fifteen years or so. Piyush Mathur coined the term "archigenderic" in his 1998 article in the British journal Women's Writing. Claiming that "architectural planning has an inextricable link with the defining and regulation of gender roles, responsibilities, rights, and limitations," Mathur came up with that term "to explore...the meaning of 'architecture" in terms of gender" and "to explore the meaning of "gender" in terms of architecture"
Culture
Women's writing
Women's writing came to exist as a separate category of scholarly interest relatively recently. In the West, second-wave feminism prompted a general reevaluation of women's historical contributions, and various academic sub-disciplines, such as Women's history (or herstory) and women's writing, developed in response to the belief that women's lives and contributions have been underrepresented as areas of scholarly interest. Virginia Balisn et al. characterize the growth in interest since 1970 in women's writing as "powerful". Much of this early period of feminist literary scholarship was given over to the rediscovery and reclamation of texts written by women. Studies such as Dale Spender's Mothers of the Novel (1986) and Jane Spencer's The Rise of the Woman Novelist (1986) were ground-breaking in their insistence that women have always been writing. Commensurate with this growth in scholarly interest, various presses began the task of reissuing long-out-of-print texts. Virago Press began to publish its large list of nineteenth and early-twentieth-century novels in 1975 and became one of the first commercial presses to join in the project of reclamation. In the 1980s Pandora Press, responsible for publishing Spender's study, issued a companion line of eighteenth-century novels written by women. More recently, Broadview Press has begun to issue eighteenth- and nineteenth-century works, many hitherto out of print and the University of Kentucky has a series of republications of early women's novels. There has been commensurate growth in the area of biographical dictionaries of women writers due to a perception, according to one editor, that "most of our women are not represented in the 'standard' reference books in the field".
Another early pioneer of Feminist writing is Charlotte Perkins Gilman, whose most notable work was The Yellow Wallpaper.
Science fiction
In the 1960s the genre of science fiction combined its sensationalism with political and technological critiques of society. With the advent of feminism, questioning women’s roles became fair game to this "subversive, mind expanding genre". Two early texts are Ursula K. Le Guin's The Left Hand of Darkness (1969) and Joanna Russ' The Female Man (1970). They serve to highlight the socially constructed nature of gender roles by creating utopias that do away with gender. Both authors were also pioneers in feminist criticism of science fiction in the 1960s and 70s, in essays collected in The Language of the Night (Le Guin, 1979) and How To Suppress Women's Writing (Russ, 1983). Another major work of feminist science fiction has been Kindred by Octavia Butler.
Riot grrrl movement
Riot grrrl (or riot grrl) is an underground feminist punk movement that started in the 1990s and is often associated with third-wave feminism (it is sometimes seen as its starting point). It was Grounded in the DIY philosophy of punk values. Riot grrls took an anti-corporate stance of self-sufficiency and self-reliance. Riot grrrl's emphasis on universal female identity and separatism often appears more closely allied with second-wave feminism than with the third wave. Riot grrrl bands often address issues such as rape, domestic abuse, sexuality, and female empowerment. Some bands associated with the movement are: Bikini Kill, Bratmobile, Excuse 17, Free Kitten, Heavens To Betsy, Huggy Bear, L7, and Team Dresch. In addition to a music scene, riot grrrl is also a subculture; zines, the DIY ethic, art, political action, and activism are part of the movement. Riot grrrls hold meetings, start chapters, and support and organize women in music.
The riot grrrl movement sprang out of Olympia, Washington and Washington, D.C. in the early 1990s. It sought to give women the power to control their voices and artistic expressions. Riot grrrls took a growling double or triple r, placing it in the word girl as a way to take back the derogatory use of the term.
The Riot Grrrl’s links to social and political issues are where the beginnings of third-wave feminism can be seen. The music and zine writings are strong examples of "cultural politics in action, with strong women giving voice to important social issues though an empowered, a female oriented community, many people link the emergence of the third-wave feminism to this time". The movement encouraged and made "adolescent girls’ standpoints central," allowing them to express themselves fully.
Pornography
The "Feminist Sex Wars" is a term for the acrimonious debates within the feminist movement in the late 1970s through the 1980s around the issues of feminism, sexuality, sexual representation, pornography, sadomasochism, the role of transwomen in the lesbian community, and other sexual issues. The debate pitted anti-pornography feminism against sex-positive feminism, and parts of the feminist movement were deeply divided by these debates.
Anti-pornography movement
For more details on this topic, see Feminist_views_on_pornography#Anti-pornography_feminism. Anti-pornography feminists, such as Catharine MacKinnon, Andrea Dworkin, Robin Morgan and Dorchen Leidholdt, put pornography at the center of a feminist explanation of women's oppression.
Some feminists, such as Diana Russell, Andrea Dworkin, Catharine MacKinnon, Susan Brownmiller, Dorchen Leidholdt, Ariel Levy, and Robin Morgan, argue that pornography is degrading to women, and complicit in violence against women both in its production (where, they charge, abuse and exploitation of women performing in pornography is rampant) and in its consumption (where, they charge, pornography eroticizes the domination, humiliation, and coercion of women, and reinforces sexual and cultural attitudes that are complicit in rape and sexual harassment).
Beginning in the late 1970s, anti-pornography radical feminists formed organizations such as Women Against Pornography that provided educational events, including slide-shows, speeches, and guided tours of the sex industry in Times Square, in order to raise awareness of the content of pornography and the sexual subculture in pornography shops and live sex shows. Andrea Dworkin and Robin Morgan began articulating a vehemently anti-porn stance based in radical feminism beginning in 1974, and anti-porn feminist groups, such as Women Against Pornography and similar organizations, became highly active in various US cities during the late 1970s.
Sex-positive movement
Sex-positive feminism is a movement that was formed in order to address issues of women's sexual pleasure, freedom of expression, sex work, and inclusive gender identities. Ellen Willis' 1981 essay, "Lust Horizons: Is the Women's Movement Pro-Sex?" is the origin of the term, "pro-sex feminism"; the more commonly-used variant, "sex positive feminism" arose soon after.
Although some sex-positive feminists, such as Betty Dodson, were active in the early 1970s, much of sex-positive feminism largely began in the late 1970s and 1980s as a response to the increasing emphasis in radical feminism on anti-pornography activism.
Sex-positive feminists are also strongly opposed to radical feminist calls for legislation against pornography, a strategy they decried as censorship, and something that could, they argued, be used by social conservatives to censor the sexual expression of women, gay people, and other sexual minorities. The initial period of intense debate and acrimony between sex-positive and anti-pornography feminists during the early 1980s is often referred to as the Feminist Sex Wars. Other sex-positive feminists became involved not in opposition to other feminists, but in direct response to what they saw as patriarchal control of sexuality.
Relationship to political movements
Socialism
Since the early twentieth century some feminists have allied with socialism. In 1907 there was an International Conference of Socialist Women in Stuttgart where suffrage was described as a tool of class struggle. Clara Zetkin of the Social Democratic Party of Germany called for women's suffrage to build a "socialist order, the only one that allows for a radical solution to the women's question".
In Britain, the women's movement was allied with the Labour party. In America, Betty Friedan emerged from a radical background to take command of the organized movement. Radical Women, founded in 1967 in Seattle is the oldest (and still active) socialist feminist organization in the U.S. During the Spanish Civil War, Dolores Ibarruri (La Pasionaria) led the Communist Party of Spain. Although she supported equal rights for women, she opposed women fighting on the front and clashed with the anarcho-feminist Mujeres Libres.
Revolutions in Latin America brought changes in women's status in countries such as Nicaragua where Feminist ideology during the Sandinista Revolution was largely responsible for improvements in the quality of life for women but fell short of achieving a social and ideological change.
Fascism
Scholars have argued that Nazi Germany and the other fascist states of the 1930s and 1940s illustrates the disastrous consequences for society of a state ideology that, in glorifying traditional images of women, becomes anti-feminist. In Germany after the rise of Nazism in 1933, there was a rapid dissolution of the political rights and economic opportunities that feminists had fought for during the prewar period and to some extent during the 1920s. In Franco's Spain, the right wing Catholic conservatives undid the work of feminists during the Republic. Fascist society was hierarchical with an emphasis and idealization of virility, with women maintaining a largely subordinate position to men.
Scientific discourse
Some feminists are critical of traditional scientific discourse, arguing that the field has historically been biased towards a masculine perspective. Evelyn Fox Keller argues that the rhetoric of science reflects a masculine perspective, and she questions the idea of scientific objectivity.
Many feminist scholars rely on qualitative research methods that emphasize women’s subjective, individual experiences. According to communication scholars Thomas R. Lindlof and Bryan C. Taylor, incorporating a feminist approach to qualitative research involves treating research participants as equals who are just as much an authority as the researcher. Objectivity is eschewed in favor of open self-reflexivity and the agenda of helping women. Also part of the feminist research agenda is uncovering ways that power inequities are created and/or reinforced in society and/or in scientific and academic institutions. Lindlof and Taylor also explain that a feminist approach to research often involves nontraditional forms of presentation.
Primatologist Sarah Blaffer Hrdy notes the prevalence of masculine-coined stereotypes and theories, such as the non-sexual female, despite "the accumulation of abundant openly available evidence contradicting it". Some natural and social scientists have examined feminist ideas using scientific methods.
Biology of gender
Modern feminist science challenges the biological essentialist view of gender, however it is increasingly interested in the study of biological sex differences and their effect on human behavior. For example, Anne Fausto-Sterling's book Myths of Gender explores the assumptions embodied in scientific research that purports to support a biologically essentialist view of gender. Her second book, Sexing the Body discussed the alleged possibility of more than two true biological sexes. This possibility only exists in yet-unknown extraterrestrial biospheres, as no ratios of true gametes to polar cells other than 4:0 and 1:3 (male and female, respectively) are produced on Earth. However, in The Female Brain, Louann Brizendine argues that brain differences between the sexes are a biological reality with significant implications for sex-specific functional differences. Steven Rhoads' book Taking Sex Differences Seriously illustrates sex-dependent differences across a wide scope.
Carol Tavris, in The Mismeasure of Woman, uses psychology and sociology to critique theories that use biological reductionism to explain differences between men and women. She argues rather than using evidence of innate gender difference there is an over-changing hypothesis to justify inequality and perpetuate stereotypes.
Evolutionary biology
Sarah Kember - drawing from numerous areas such as evolutionary biology, sociobiology, artificial intelligence, and cybernetics in development with a new evolutionism - discusses the biologization of technology. She notes how feminists and sociologists have become suspect of evolutionary psychology, particularly inasmuch as sociobiology is subjected to complexity in order to strengthen sexual difference as immutable through pre-existing cultural value judgments about human nature and natural selection. Where feminist theory is criticized for its "false beliefs about human nature," Kember then argues in conclusion that "feminism is in the interesting position of needing to do more biology and evolutionary theory in order not to simply oppose their renewed hegemony, but in order to understand the conditions that make this possible, and to have a say in the construction of new ideas and artefacts."
Male reaction
The relationship between men and feminism has been complex. Men have taken part in significant responses to feminism in each 'wave' of the movement. There have been positive and negative reactions and responses, depending on the individual man and the social context of the time. These responses have varied from pro-feminism to masculism to anti-feminism. In the twenty-first century new reactions to feminist ideologies have emerged including a generation of male scholars involved in gender studies, and also men's rights activists who promote male equality (including equal treatment in family, divorce and anti-discrimination law). Historically a number of men have engaged with feminism. Philosopher Jeremy Bentham demanded equal rights for women in the eighteenth century. In 1866, philosopher John Stuart Mill (author of "The Subjection of Women") presented a women’s petition to the British parliament; and supported an amendment to the 1867 Reform Bill. Others have lobbied and campaigned against feminism. Today, academics like Michael Flood, Michael Messner and Michael Kimmel are involved with men's studies and pro-feminism.
A number of feminist writers maintain that identifying as a feminist is the strongest stand men can take in the struggle against sexism. They have argued that men should be allowed, or even be encouraged, to participate in the feminist movement. Other female feminists argue that men cannot be feminists simply because they are not women. They maintain that men are granted inherent privileges that prevent them from identifying with feminist struggles, thus making it impossible for them to identify with feminists. Fidelma Ashe has approached the issue of male feminism by arguing that traditional feminist views of male experience and of "men doing feminism" have been monolithic. She explores the multiple political discourses and practices of pro-feminist politics, and evaluates each strand through an interrogation based upon its effect on feminist politics.
A more recent examination of the subject is presented by author and academic Shira Tarrant. In Men and Feminism (Seal Press, May 2009), the California State University, Long Beach professor highlights critical debates about masculinity and gender, the history of men in feminism, and men’s roles in preventing violence and sexual assault. Through critical analysis and first-person stories by feminist men, Tarrant addresses the question of why men should care about feminism in the first place and lays the foundation for a larger discussion about feminism as an all-encompassing, human issue.
Tarrant touches on similar topics in Men Speak Out: Views on Gender, Sex, and Power (Routledge, 2007).
Pro-feminism
Pro-feminism is the support of feminism without implying that the supporter is a member of the feminist movement. The term is most often used in reference to men who are actively supportive of feminism and of efforts to bring about gender equality. The activities of pro-feminist men's groups include anti-violence work with boys and young men in schools, offering sexual harassment workshops in workplaces, running community education campaigns, and counseling male perpetrators of violence. Pro-feminist men also are involved in men's health, activism against pornography including anti-pornography legislation, men's studies, and the development of gender equity curricula in schools. This work is sometimes in collaboration with feminists and women's services, such as domestic violence and rape crisis centers. Some activists of both genders will not refer to men as "feminists" at all, and will refer to all pro-feminist men as "pro-feminists".
Anti-feminism
Anti-feminism is opposition to feminism in some or all of its forms. Writers such as Camille Paglia, Christina Hoff Sommers, Jean Bethke Elshtain and Elizabeth Fox-Genovese have been labeled "anti-feminists" by feminists. Daphne Patai and Noretta Koertge argue that in this way the term "anti-feminist" is used to silence academic debate about feminism. Paul Nathanson and Katherine K. Young's books Spreading Misandry and Legalizing Misandry explore what they argue is feminist-inspired misandry. Christina Hoff-Sommers argues feminist misandry leads directly to misogyny by what she calls "establishment feminists" against (the majority of) women who love men in Who Stole Feminism: How Women Have Betrayed Women. Marriage rights advocates criticize feminists like Sheila Cronan who take the view that marriage constitutes slavery for women, and that freedom for women cannot be won without the abolition of marriage.
( totally quoted from http://www.gender.cawater-info.net/)